Delay

The Boomerang Plus Phrase Sampler allows you to layer parts in forward or reverse, create loops up to 4 minutes long, and play reverse leads live! Features 2 independent loops, each with 7 decay rates (including no decay). It has 5 musically related slow speeds down a 2nd, 4th, 5th, 7th, and an 8th and 12 sample rates. Foot roller volume control. Stack button can be momentary or latching. Record button can be turned on or off during playback.

DD-3 NEW with 3-WAY Analog Feel Switch and TRS CABLE for effects loop operation.

The reissue AD9 pedals that are out are just fantastic sounding. They use more BBD chips than before for a better tone with less distortion but all of that smooth fantastic analog tone we enjoy! Robert Keeley has gone in and made these pedals even better by making them true bypass while maintaining the stereo out! Enjoy better tone because of the improved Burr Brown IC.

The combination of one Panasonic MN3205 BBD IC and one Signetics NE570 compander provides 10-300 mS of warm yet crystal-clear delay time with adjustable repeats and zero clock noise.

The Echolution is a dual delay, with independent Tap Tempo and Modulation delay modes. This arrangement allows the musician to switch between different delay sounds on the fly. When set to Tap Tempo mode, the Echolution has a maximum delay time of 20 seconds and a minimum delay time of 10ms.

PROBABLY THE BEST DELAY PEDAL IN THE WORLD! Guitar Player Magazine gave it the editors Pick-Award. Whenever the Replica is tested, it always gets top rates. A lot of famous players are using this pedal. Just have a look far right under "Who plays T-Rex". You will see Carlos Santana, Gary Moore, John Mayer, Greg Lake, Sonny Landreth etc.

T-Rex Engineering is pleased to announce a new addition to our renowned family of delay pedals. Offering classic T-Rex tone and unsurpassed performance for price, the T-Rex Reptile joins its big brother Replica as the delay of choice for musicians who accept nothing less than the best in sonic craftsmanship.

This is the Lo-Fi Loop Junky. It’s really low fidelity… the recording of your guitar is filled with hiss, moan, distortion and warped-record strangeness, but everyone will be able to tell the loop from your real guitar.